the bush broods
on the edge of town
woodland dreams of comeback
when the gold is spent
Thursday, September 30, 2010
Wednesday, September 29, 2010
outside today
non stop birdsong
which one
is what one
and
what one
is who?
non stop dog howl
pack animal
cries when left alone
bottle brush blooms red
against the sick green pool
tea bag half sunk
in the milky ocean
i soak and bathe in the sun
heat love bites my neck
warms my sweat made cold feet
cars prowl in the front street
low note growl
menace in the throb
the invisible neighbour
whistles deep in his rusty shed
an ant spell checks my page
cabbage moths
against the smother – me – in – summer blue sky
chart erratic flight paths
outside today
Tuesday, September 28, 2010
the summer sky blues
strikes me eye blue
arch over me blue
smother me blue
stun me blue
always blue
painstaikingly blue
perpetual blue
unrelenting blue
blue blue
blue blue blue
blue blue blue blue
yes mate it's blue
blue again blue
without doubt blue
fuck me blue
don't tell me it's blue
i love a sunburnt country blue
head for the beach blue
run around after balls blue
sunbake until you are red blue
no cloud blue
air con hum blue
beer o'clock blue
swimming pool splash blue
all compass points blue
morning smoko blue
lunch barbie blue
knock off blue
long afternoon with blowflies blue
only crows in the sky at midday blue
snakes out and about blue
when will it end blue
this blue
never ending blue
wake me when it's over blue
arch over me blue
smother me blue
stun me blue
always blue
painstaikingly blue
perpetual blue
unrelenting blue
blue blue
blue blue blue
blue blue blue blue
yes mate it's blue
blue again blue
without doubt blue
fuck me blue
don't tell me it's blue
i love a sunburnt country blue
head for the beach blue
run around after balls blue
sunbake until you are red blue
no cloud blue
air con hum blue
beer o'clock blue
swimming pool splash blue
all compass points blue
morning smoko blue
lunch barbie blue
knock off blue
long afternoon with blowflies blue
only crows in the sky at midday blue
snakes out and about blue
when will it end blue
this blue
never ending blue
wake me when it's over blue
Monday, September 27, 2010
Friday, September 24, 2010
The Angel Card
I am given the blank angel card.
The begining.
The end.
The circle round.
I am
(say all the signs)
ready to be the one I was born to be.
The blank angel
holds her hands with palms up and open.
(I have everything I need.)
Her halo is a rising sun.
Wings are aflame.
The begining.
The end.
The circle round.
I am
(say all the signs)
ready to be the one I was born to be.
The blank angel
holds her hands with palms up and open.
(I have everything I need.)
Her halo is a rising sun.
Wings are aflame.
Thursday, September 23, 2010
Wednesday, September 22, 2010
Country Viewpoint ABC 2007
I have lived in the city for the last six years but sometimes my senses are tripped by the smell of sheep on a livestock transport, or the sound of crows in a blue sky and I recall the fifty years I spent living in rural and outback Australia.
I still have a house in Merredin, the heart of the Wheatbelt, in Western Australia. It is a manifestation of the hope that one day I will return to live in the country.
I was told by a local history buff that the house was transported from the Eastern Goldfields early last century. It sits with dignity between its distinguished neighbours - the town hall, on one side and the court house on the other. A direct path through the roses and past the date palm leads across the wooden veranda to the front door. The door is decorated with panels of textured green glass- the light from which gives the wide passage a cool underwater feeling.
From here, fung shui principles are thrown to the wind, as the house was designed for the arrival of the summer cool change, the Esperance doctor, the air conditioner of a bygone age. The doctor could flow unimpeded from front door to back, cooling all in its path.
This house has a welcoming and generous feel, felt by all who visit. The ceilings are lofty and changing a light bulb is a serious business. No standing on a handy chair. A ladder must be employed. But it is the walls that make visitors gasp. Four of the main rooms are decorated with pressed tin, a fashion from the 1890’s, and each room has its own design and a contrasting roof. I often wonder about the woman who chose these designs. I know it was a woman as the most beautiful and feminine example is in the main bedroom ceiling. Wreathes of daisies are the last thing you see before you fall asleep.
On a recent trip to make repairs and in between tenants I was able to live in my beautiful house for a short while. I recall sitting on the back veranda trellised with grapes, a mug of strong tea cooling beside me, my thoughts absorbed into the silence of a country town at dusk.
I still have a house in Merredin, the heart of the Wheatbelt, in Western Australia. It is a manifestation of the hope that one day I will return to live in the country.
I was told by a local history buff that the house was transported from the Eastern Goldfields early last century. It sits with dignity between its distinguished neighbours - the town hall, on one side and the court house on the other. A direct path through the roses and past the date palm leads across the wooden veranda to the front door. The door is decorated with panels of textured green glass- the light from which gives the wide passage a cool underwater feeling.
From here, fung shui principles are thrown to the wind, as the house was designed for the arrival of the summer cool change, the Esperance doctor, the air conditioner of a bygone age. The doctor could flow unimpeded from front door to back, cooling all in its path.
This house has a welcoming and generous feel, felt by all who visit. The ceilings are lofty and changing a light bulb is a serious business. No standing on a handy chair. A ladder must be employed. But it is the walls that make visitors gasp. Four of the main rooms are decorated with pressed tin, a fashion from the 1890’s, and each room has its own design and a contrasting roof. I often wonder about the woman who chose these designs. I know it was a woman as the most beautiful and feminine example is in the main bedroom ceiling. Wreathes of daisies are the last thing you see before you fall asleep.
On a recent trip to make repairs and in between tenants I was able to live in my beautiful house for a short while. I recall sitting on the back veranda trellised with grapes, a mug of strong tea cooling beside me, my thoughts absorbed into the silence of a country town at dusk.
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